The Dictionary of Obscure Sorrows

The Upper Midwest's third-largest compendium of the outer spatters of the emotional palette. Our mission is to harpoon, bag and tag wild sorrows, then release them back into the subconscious.

Each definition is written by John Koenig, and is intended to be read at night. Give feedback, tell us about your day or request a new word for something you're feeling at obscuresorrows@gmail.com. By suggesting an emotion you are granting us the right to like you, to reply, and to forever enshrine your name in the tags.

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JOHN KOENIG is a freelance creative serf based in St. Paul, Minnesota where he attended Macalester College in the early part of the century. He enjoys piano jazz, deep image poetry, sauvignon blanc, canyons and nostalgia.

"BRILLIANT" -New York Magazine

Copyright © 2012 John Koenig.
The Dictionary of Obscure Sorrows

trumspringa

n. the temptation to step off your career track and become a shepherd in the mountains, following your flock between pastures with a sheepdog and a rifle, watching storms at dusk from the doorway of a small cabin, just the kind of hypnotic diversion that allows your thoughts to make a break for it and wander back to their cubicles in the city.

ambedo

n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life, a mood whose only known cure is the vuvuzela.

antematter

n. the dream versions of things in your life, which appear totally foreign but are still somehow yours—your anteschool, your antefriends, your antehome—all part of a parallel world whose gravitational pull raises your life’s emotional stakes, increasing the chances you’ll end up betting everything you have.

flashover

n. the moment a conversation becomes real and alive, which occurs when a spark of trust shorts out the delicate circuits you keep insulated under layers of irony, momentarily grounding the static emotional charge you’ve built up through decades of friction with the world.

aimonomia

n. fear that learning the name of something—a bird, a constellation, an attractive stranger—will somehow ruin it, transforming a lucky discovery into a conceptual husk pinned in a glass case, which leaves one less mystery to flutter around your head, trying to get in.

ellipsism

n. sadness that you’ll never be able to know how history will turn out, that you’ll dutifully pass on the joke of being alive without ever learning the punchline—the name of the beneficiary of all human struggle, the sum of the final payout of every investment ever made in the future—which may not suit your sense of humor anyway and will probably involve how many people it takes to change a lightbulb.

apomakrysmenophobia

n. fear that your connections with people are ultimately shallow, that although your relationships feel congenial at the time, an audit of your life would produce an emotional safety deposit box of low-interest holdings and uninvested windfall profits, which will indicate you were never really at risk of joy, sacrifice or loss.

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