The Dictionary of Obscure Sorrows


A compendium of the aches, demons, vibes, joys and urges that roam the wilderness of the psychological interior. The author’s mission is to harpoon, bag and tag wild sorrows, then release them gently back into the subconscious.

Copyright © 2013 John Koenig. All content is original and is intended to be read at night.

JOHN KOENIG is a freelance graphic designer who lives in St. Paul, Minnesota. His dictionary has been acclaimed by New York Magazine, Washington Post Express, John Green, Jason Kottke, and the guys from Radiolab.

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adomania

n. the sense that the future is arriving ahead of schedule, that all those years with fantastical names like ‘2013’ are bursting from their hypothetical cages into the arena of the present, furiously bucking the grip of your expectations while you lean and slip in your saddle, one hand reaching for reins, the other waving up high like a schoolkid who finally knows the answer to the question.

opia

n. the ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable—their pupils glittering, bottomless and opaque—as if you were peering through a hole in the door of a house, able to tell that there’s someone standing there, but unable to tell if you’re looking in or looking out.

kuebiko

n. a state of exhaustion inspired by acts of senseless violence, which force you to revise your image of what can happen in this world—mending the fences of your expectations, weeding out all unwelcome and invasive truths, cultivating the perennial good that’s buried under the surface, and propping yourself up like an old scarecrow, who’s bursting at the seams but powerless to do anything but stand there and watch.

mimeomia

n. the frustration of knowing how easily you fit into a stereotype, even if you never intended to, even if it’s unfair, even if everyone else feels the same way—each of us trick-or-treating for money and respect and attention, wearing a safe and predictable costume because we’re tired of answering the question, “What are you supposed to be?”

monachopsis

n. the subtle but persistent feeling of being out of place, as maladapted to your surroundings as a seal on a beach—lumbering, clumsy, easily distracted, huddled in the company of other misfits, unable to recognize the ambient roar of your intended habitat, in which you’d be fluidly, brilliantly, effortlessly at home.

semaphorism

n. a conversational hint that you have something personal to say on the subject but don’t go any further—an emphatic nod, a half-told anecdote, an enigmatic ‘I know the feeling’—which you place into conversations like those little flags that warn diggers of something buried underground: maybe a cable that secretly powers your house, maybe a fiberoptic link to some foreign country.

énouement

n. the bittersweetness of having arrived here in the future, where you can finally get the answers to how things turn out in the real world—who your baby sister would become, what your friends would end up doing, where your choices would lead you, exactly when you’d lose the people you took for granted—which is priceless intel that you instinctively want to share with anybody who hadn’t already made the journey, as if there was some part of you who had volunteered to stay behind, who was still stationed at a forgotten outpost somewhere in the past, still eagerly awaiting news from the front.

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